Books

Speech/Acts Exhibition Catalog
Meg Onli

Speech/Acts, co-published between Futurepoem and the Institute of Contemporary Art at the University of Pennsylvania, brings together new and recent works by a generation of artists influenced by black experimental poetry. Recognizing language as a primary method of expressing and maintaining power, these artists use poetry as a tool to manipulate the conceptual and structural elements of language and the social contexts in which language is employed, appropriated and abstracted. 

Artists Jibade-Khalil Huffman, Steffani Jemison, Tony Lewis, Tiona Nekkia McClodden, Kameelah Janan Rasheed and Martine Syms all use experimental poetry in their work as a means to interrogate the power structures of language, rendering the experience of blackness more physically and affectively exact. In this volume, their work is presented alongside reprints of seminal texts by Fred Moten and Harryette Mullen, newly commissioned poetry by Simone White and Morgan Parker, and a new essay by curator Meg Onli.

On view from September 13 through December 23, 2017 at the ICA, the Speech/Acts exhibition also served as a satellite outpost for The Racial Imaginary Institute (TRII), founded by poet Claudia Rankine.

 


Spring 2018

5.25 × 7.5 inches 
Hardcover Exhibition Catalog
978-0-88454-143-1    

$25 U.S.
View Buy

Spring 2018

5.25 × 7.5 inches 
Hardcover Exhibition Catalog
978-0-88454-143-1    

$25 U.S.
View Buy

Speech/Acts, co-published between Futurepoem and the Institute of Contemporary Art at the University of Pennsylvania, brings together new and recent works by a generation of artists influenced by black experimental poetry. Recognizing language as a primary method of expressing and maintaining power, these artists use poetry as a tool to manipulate the conceptual and structural elements of language and the social contexts in which language is employed, appropriated and abstracted. 

Artists Jibade-Khalil Huffman, Steffani Jemison, Tony Lewis, Tiona Nekkia McClodden, Kameelah Janan Rasheed and Martine Syms all use experimental poetry in their work as a means to interrogate the power structures of language, rendering the experience of blackness more physically and affectively exact. In this volume, their work is presented alongside reprints of seminal texts by Fred Moten and Harryette Mullen, newly commissioned poetry by Simone White and Morgan Parker, and a new essay by curator Meg Onli.

On view from September 13 through December 23, 2017 at the ICA, the Speech/Acts exhibition also served as a satellite outpost for The Racial Imaginary Institute (TRII), founded by poet Claudia Rankine.